The Sell Outによるコード
Example
Example

N/A
キー: Db major
Intro 1
D
D
G
G
D
D
G
G
He was
Verse 1
D
D
lying there thinking,
kinda restricted
Searching for a subject,
something gripped him
G
G
Tipped him over the scale, he prevailed
Sing it with a gimmick
D
D
and you get out of jail
Gm
Gm
F#
F#
But he weren't behind bars,
D
D
he was playing
Monopoly
Instead of sitting down and writing
music properly
F#
F#
D
D
F#
F#
Sloppily he sat there, chewing his pencil
D
D
G
G
A lack of stimulus,
D
D
G
G
it was driving him mental
F#
F#
A
A
His ideas were thin, creativity slim
D
D
He needed a meal like that
Gm
Gm
bird down the gym
G
G
D
D
Food is for four, so he thought for a min
G
G
A light bulb flashed
D
D
and he shot up with a grin
An epiphany right there,
changed the rules quick
G
G
Why not write a track?
D
D
G
G
That's commercial bullshit
Why not write a track for
F#
F#
the mainstream?
Same thing, lame thing,
G
G
stuck in their daydream
D
D
With my lyrical toolkit,
I've written this bullshit
G
G
Stickin' to the rules of commercial music
I won't confuse it with urban music
D
D
Cause I'm never gonna get that far
G
G
D
D
With my lyrical toolkit,
I've written this bullshit
G
G
Stickin' to the rules of commercial music I
D
D
G
G
won't confuse it with urban music
Cause I'm never gonna get that far
F#
F#
All
D
D
American rappers are cruel
G
G
A
A
Cause they all got more money than you
F#
F#
It's it's true
G
G
You ain't gonna match
him whatever you do
D
D
F#
F#
Why the funny face to my crazy antics?
D
D
I'm a nice change to the pop romantics
G
G
F#
F#
Something fresh to the new
D
D
school rap semantics
G
G
D
D
I'm bling bling transatlantics
Copying the yanks,
G
G
this should never have started
Now everybody's singing
D
D
about the broken hearted
G
G
The dearly departed and the
D
D
weapons they've harboured
G
G
They think we really care about the
D
D
places they've partied
Who can be the best cat
G
G
at licking her arsehole?
D
D
G
G
They all stark in the game
of pass the parcel
The parcels music, if one's to lose it
There'll be another arsehole
there to abuse it
Born in
London, I suppose I'm urban I find all
Gm
Gm
the trappings of the scene disturbing
D
D
G
G
I don't want a life with cars
D
D
and big tits
G
G
Cos I'm happy with a cuppa
D
D
and some biscuits
G
G
D
D
With my lyrical toolkit,
G
G
I've written this bullshit
D
D
G
G
Sticking to the rules of commercial music I
D
D
G
G
won't confuse it with urban music
D
D
Cos I'm never gonna get that far
G
G
D
D
With my lyrical toolkit,
I've written this bullshit
G
G
D
D
G
G
Sticking to the rules of commercial music I
D
D
G
G
won't confuse it with urban music
D
D
G
G
Cause I'm never gonna get that far
All
F#
F#
D
D
American rappers are cool
G
G
A
A
Cause they all got more money than you
F#
F#
It's true
Gm
Gm
And no one can hide from the truth
G
G
D
D
So there's a rap epidemic,
the best end to retirement
G
G
I'm shaken by this madness,
D
D
epileptic assignment
F#
F#
G
G
Confined, my mind tries to align
to bring a stop to the benign
D
D
G
G
That's a basic requirement,
a stable childhood with a passion for poetry
D
D
Listen to the crap that
G
G
the industries throw at me
Try to be intelligent but
nobody's stirred
D
D
G
G
D
D
Commercially viable if I wanna be heard
G
G
Oi,
D
D
F#
F#
G
G
London crew, where my geezers at?
Where my birds with
Bacardi breezers at?
Ok, that's my cheap shot
F#
F#
G
G
at ma terialism
D
D
G
G
But I ain't even been to prison
D
D
It won't work,
F#
F#
D
D
a year from now you'll be stealing this
But just right now you ain't feeling this
F#
F#
I hear the booze and the hiss
D
D
from the music abyss
G
G
It's all hit and miss, bruv, trust me
D
D
With my lyrical toolkit,
G
G
I've written this bullshit
D
D
Gm
Gm
Stickin' to the rules of commercial music
G
G
I won't confuse it with urban music
D
D
Cos I'm never gonna get that far
G
G
With my lyrical toolkit,
D
D
I've written this bullshit
G
G
D
D
G
G
Stickin' to the rules of commercial music
I won't confuse it with urban music
D
D
Cos I'm never gonna get that far
G
G
Yo, if you wanna come to my hotel
G
G
D
D
G
G
You can't cos I live with my parents
Am
Am
That's how we get down
G
G
D
D
This example,
G
G
Mr
D
D
Rush on the beats here
G
G
Just having a little cheap shot of commercial bullshit,
D
D
you know what I mean?
Gm
Gm
G
G
Ain't no other music, if we were doing that,
you know what I mean?
D
D
We're never gonna get that far

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